It all begins in void

In the silent descent where bone reveals its hidden form. Before any carving, before any line exists, there is dissolution: tissue loosens, scent fades, and the remnants of what once lived fall away.

What belonged to the creature slowly withdraws, and the Self-Pattern is exposed to Sol Niger — a return to the void where form is stripped of everything transient.

From this darkness, a quiet clarity begins to rise. The pale core moves toward essence through calcination, whitening and purification. History dissolves, noise lifts, and structure remains bare, scentless, unburdened. Sol Albus reveals the faint contour of what has not yet taken form — matter becoming potential, silence shaping itself around a new purpose.

And then, long after, the purple transformation begins. Symbols emerge. Lines deepen. The hardened surface accepts intention as if remembering something older than itself. Through engraved pattern, the material shifts again — a vessel carrying the trace of its own undoing and re-forming. Sol Ruber carries the form across the threshold of its recasting.

Each piece moves through this transmutation: from dissolution into clarity, from clarity into embodiment — a continuous folding of darkness, light, and form into one another without edges. The process leaves nothing untouched. Transformation is written directly into bone. A passage through the void into new presence. From what once lived into what now holds meaning.